This picture was taken in June of 2008, and it was the first time I drank a 'swamp water' at the Pitcher's Pub. This was also the last time I saw my dad, about two years ago.
This week was the first time I've spoken to him in six months. I am not close with my family, as a general rule of thumb.
On Sun, Jul 31, 2011 at 9:38 PM, djvick@... wrote:
Here's how you can get your teeth fixed once and for all.
We'll get an estimate for all the work needed by my dentist out here in Scottsdale.
I'll make you an interest-free loan as long as you pay me back $100 per month until
it is paid off. That means if it costs $5000 to get them fixed, you will pay me back
$100 per month for 50 months (4 years 2 months). You miss a payment then 2% interest
will be applied to the balance. You miss 2 payments, the interest rate goes to 4% on
the balance, miss 3 payments and 6% get applied to the balance. If you miss more
than three payments then wage garnishment enters the picture.
You will have to relocate to AZ for this deal. It will take as long as my dentist thinks
it should take (2, 3, 6 months if necessary, his call). When the work is done, you can
go back to WI if you wish.
What's my reasoning? I know my dentist and he not a discount or cut-rate guy. He
is one of the best in the business and I trust his diagnosis before a dentist I don't know
in Madison. Two, you can get a better job out here while the work is being done than
you'll ever find in Madison competing with cheap university labor. This will make it
easier for you to pay me back. Three, you can always go back to Madison if you can't live
without it.
Think long and hard about it and let me know what you come up with.
dad
From: Patrick Downs
Date: Sun, Jul 31, 2011 at 11:03 PM
Subject: Re: Last & final offer
I appreciate the offer dad, but those aren't terms I'm comfortable with. Please allow me to explain why, and I'm not even going to approach the whole "It tok me forever to find this dentist and I love him" viewpoint - but that one is certainly in there.
I've got lots of friends with parents. Divorced parents, still-married parents, single parents. Let me tell you a story about Ethan, because it's the most recent and it's the most clear cut example of parenthood I can find amidst all of my recollections.
Ethan and I were roommates a few years back, he's not from Madison, or even from Wisconsin (so he's not affected by any of that "liberal bullshit" that we have in this city) and his family are not academicians by nature. They were all mostly working class until Ethan and his sister went to college. Ethan's dad, who worked as an electrician for a long time, had three kids, divorced and re-married, had another kid; essentially, his dad is not a rich man, and he did have economic responsibilities. His dad came upon a large sum of money, I don't remember the particulars, maybe he sold a car or won the lottery, I don't remember. What was important was he suddenly had a boost of money, and he split it four ways amongst his children, and each child received roughly $2000. He didn't put any conditions on the money and he didn't say "I expect you to pay me back" - he simply had some money and gave his children the money. Ethan got a one page letter in the mail from his dad that told him about the money, asked him to use the money wisely and accompanied by a check for about $2000.
This display of behavior, more than anything else I can recollect from my life, is the stark difference between how the Vick family treats it's offspring and how every other family I am acquainted with treats their offspring. It not only shows the level of trust that he has in his son, but it also shows how he has no stake in retaining anything for himself. It's how a selfless, loving father bestows a gift of his affection toward his children when no display is called for or asked upon. Ethan knows that he could go to his father at any time and say "I need $2000 for school" or "to fix my car" or "to cover rent for the next two months" and he will get it, but he is loathe to ask because he has learned how to be self-reliant, and knowing the option is there is almost as good because it lends him a certain amount of confidence. He knows he can take care of himself, but if things get rough he always has the help of his family, whether it's his dad, or his mom, or his siblings.
The last time you told me that I could ask you for money, I didn't take you up on it. It was only after a year later, I had visited my dentist and was told how much work I needed done and I toyed with the idea of calling you for a month beforehand, but eventually I called you and told you how much money I needed. Your help came with a lot of requests for busywork on my part. "Get a print out of the estimate." "I want to send the check directly to your dentist." "I'm only going to give you half, your mother has to pitch in the other half if you're going to get any money from me." To put it simply, you didn't want to offer help, you wanted to make a deal. You felt it was half her responsibility to take care of my problem, which makes sense to me, but also fails to take into account all of the times she spent money on my teeth or my health without your help. You also didn't trust me to use the money for my teeth, which I don't understand but I brushed it off.
Your latest offer of help, which you e-mailed to me only two weeks ago, began with questions stipulating that I don't use vague words. Just straight up talk. I estimated what my future costs would be and you said "I was prepared to help out with that but there's nothing I can do if the situation is as dire as your response below." which basically means "I was going to give you some money, but since you need a lot I'm not going to give you any." or if I were to use a metaphor it's like telling somebody who is moving "I was going to lift one end of that couch for you, but it's bigger than I thought so you can carry it yourself."
The only thing I have ever been able to rely on as an adult is the fact that as long as she is alive I will always have a place to sleep, rent-free, at my mom's. My mom's horrible, disgusting house, where she is too lazy to clean, has become a stage-2 hoarder (google it if you don't know what it means), and she does nothing but watches TV and makes salads with too much dressing. Her house perpetually smells like a fart. I don't even like storing any of my belongings in her basement.
My point is this: I don't know what you want, but there are better ways of getting it.
If you just want to contrive a visit for me to Arizona, then tell me you love me, and you'd love for me to come out and visit you. Maybe offer to buy a plane ticket since I'm poor, and I'll say yes and come visit you.
If you think I'd be better off out of Madison and you want me to move to Phoenix so I'll be closer to you, don't try to bribe me with offering to pay for my teeth. Tell me you love me and that you want me to live closer to you, and I'll think about it. Offering to help me find work would be a nice incentive, since I'm poor.
If you just want me to get my teeth fixed because it pains you to know that I was raised by an irresponsible slob who never disciplined me as a child, then tell me you love me, and send me some money with the request that I use it to get my teeth fixed once and for all. And I will pay off my dentist, use any remainder as credit for future work and schedule another appointment.
Your dad may have been a jerk who never respected his children appropriately, but there's no reason why you have to behave like him. I know you're a better man than that. So like I said, I appreciate the offer, but no thank you.
On Sun, Jul 31, 2011 at 11:31 PM, djvick@... wrote:
We'll let this response of yours stand as a testament that you believe that handouts should be free and clear because some other kid got one. So be it! Subject is dropped. There will be no need for us to discuss it any further.
From: Patrick Downs
Date: Sun, Jul 31, 2011 at 11:32 PM
Subject: Re: Last & final offer
I love you too dad
this post was originally published on my livejournal, it is one of the few entries I saved when I migrated here to blogspot, these images are of the original comments because I wanted to save those too
(click on the images to make them bigger)
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Sunday, July 31, 2011
Sunday, July 24, 2011
You know, there was this crazy guy who lived in downtown Madison. I suppose "crazy" is the wrong word for him, but disturbed certainly fits. Anxious. Weird. Troubled. Unique. Any of those would fit actually. He would go into the coffeeshop on State Street and get free iced coffees, he had a bent nose that looked like it had been broken when he was younger, he was tall and loud and frightening sometimes, he could be up in your face with his booming voice and asking you about your shirt, or showing off his bike, or asking you for a light. He was this tall, gangly giant who I was actually a little scared of. But he was actually very gentle, and his voice could become a whisper and when he knew he had frightened someone you would see his shoulders hunch in embarrassment and a mumbled "Sorry" would emanate from him followed by some appropriate term of endearment. He called women "babies" and he called men "brothers"
To describe him like this doesn't do his personality justice. He was a force of nature, whose words would sometimes spill out incoherently, and whose energy could spark off onto everybody in a room around them causing them to hop about with their own wild verve of commotion, and whose relaxed abandon could soothe and calm anybody who approached whatever chair he made into his throne for the moment.
His name was Cosmo, and nothing I can say will be able to describe quite what it was like to be in his presence. I didn't know him well, I probably spoke less than a hundred words to him over the years, but I knew him, as everybody knew him.
"Who is that crazy guy?"
"Oh, that's Cosmo."
When he died I cried uncontrollably after hearing the news. It was heartbreaking. It felt like a moment of history had ended, it felt like the world had truly lost something of value, though I never knew the man and could only tell you stories that I had witnessed, or that other had witnessed and explained to me. His life as well as his death touched every person who came into contact with him. In a way you could say I loved Cosmo, because he was as much a part of the city of Madison that I grew up with as any other memory I could recall.
You could say I loved Vincent Price too. He was a part of my childhood, and one of the main reasons I focused on horror movies at such a young age. I remember the first time I learned his name, while watching 'The Pit & the Pendulum' and I followed his character closely. Every time I saw the name Vincent Price attached to a film, I would make time for it. I spent many hours of my life tracking his films, watching them, and loving them.
When he died I was a little sad. Inwardly I said "Oh, that's too bad. I wish I could have met him at least once." and I made a mental note to watch one of his films in celebration of his life. His life might have touched mine, but to me he was just a shadow. An echo from the past, whose voice called out from a void. The memories I had of him were static things that could be easily recalled with the viewing of a film or the turning of a vinyl record.
Neither Cosmo or Vincent Price will ever touch my life again. When I think of Vincent Price, his death was a cursory moment, almost forgotten in the torrent of facts I know about the man. When I think of Cosmo, I feel a pang of hurt in my chest, my eyes might water and I miss not just the man that he was, but the moments that I shared with him and witnessed of him. He was a one of a kind.
This is the difference between caring about people and caring about celebrity. Celebrities are not your friends, they're not your family, they afford you no special memories, no experiences that are yours alone, and no relationship that is unique. The same shadowplay you see of them is the same that everybody else sees of them, except for their friends, their family, and their neighbors.
And if you're the sort of person who is greatly affected emotionally by the death of a celebrity, then I suggest you get out of the house more and make some new friends. Make friends with a crazy person. You could use it.
To describe him like this doesn't do his personality justice. He was a force of nature, whose words would sometimes spill out incoherently, and whose energy could spark off onto everybody in a room around them causing them to hop about with their own wild verve of commotion, and whose relaxed abandon could soothe and calm anybody who approached whatever chair he made into his throne for the moment.
His name was Cosmo, and nothing I can say will be able to describe quite what it was like to be in his presence. I didn't know him well, I probably spoke less than a hundred words to him over the years, but I knew him, as everybody knew him.
"Who is that crazy guy?"
"Oh, that's Cosmo."
When he died I cried uncontrollably after hearing the news. It was heartbreaking. It felt like a moment of history had ended, it felt like the world had truly lost something of value, though I never knew the man and could only tell you stories that I had witnessed, or that other had witnessed and explained to me. His life as well as his death touched every person who came into contact with him. In a way you could say I loved Cosmo, because he was as much a part of the city of Madison that I grew up with as any other memory I could recall.
You could say I loved Vincent Price too. He was a part of my childhood, and one of the main reasons I focused on horror movies at such a young age. I remember the first time I learned his name, while watching 'The Pit & the Pendulum' and I followed his character closely. Every time I saw the name Vincent Price attached to a film, I would make time for it. I spent many hours of my life tracking his films, watching them, and loving them.
When he died I was a little sad. Inwardly I said "Oh, that's too bad. I wish I could have met him at least once." and I made a mental note to watch one of his films in celebration of his life. His life might have touched mine, but to me he was just a shadow. An echo from the past, whose voice called out from a void. The memories I had of him were static things that could be easily recalled with the viewing of a film or the turning of a vinyl record.
Neither Cosmo or Vincent Price will ever touch my life again. When I think of Vincent Price, his death was a cursory moment, almost forgotten in the torrent of facts I know about the man. When I think of Cosmo, I feel a pang of hurt in my chest, my eyes might water and I miss not just the man that he was, but the moments that I shared with him and witnessed of him. He was a one of a kind.
This is the difference between caring about people and caring about celebrity. Celebrities are not your friends, they're not your family, they afford you no special memories, no experiences that are yours alone, and no relationship that is unique. The same shadowplay you see of them is the same that everybody else sees of them, except for their friends, their family, and their neighbors.
And if you're the sort of person who is greatly affected emotionally by the death of a celebrity, then I suggest you get out of the house more and make some new friends. Make friends with a crazy person. You could use it.
Monday, July 18, 2011
convoluted explanations
Tonight was an unusual night for my players.
In the regular game, we left off with their characters spending the night at the Whispering Moose Inn, somewhere in the Imperial City. A few NPCs had been delivered to their destination, Milo had successfully bonded his new pony as a familiar, Arlen had begun looking for information about his "shards," and Hapex had met a rather conversational cleric named Galen.
But when the players first arrived I said"Tonight we're doing something different."
I handed out new character sheets, explaining that each of their characters were members of the Boeruine Army stationed at the westernmost mountain of the Five Peaks. Each of them was selected by the Archduke of Boeruine himself to be a part of this quest, and I handed out character backgrounds that explained who they were playing and what their motivations were.
The quest that Aeric Boeruine, Archduke of the nation of Boeruine, had selected them for was to exploit a diamond mine along a ridge of the Gorge, the westernmost mountain of the Five Peaks - a goblin-infested warren of forests, valleys and mountains.
The leader, Captain Hab Kors, was a man from a fallen noble lineage who had risen to a high position within the army quickly. His ambition to succeed would drive him to find as many diamonds as possible and bring them back for the Archduke and the good of the country. Assigned to help him were four additional officers:
his boyhood friend, Sergeant Gavin Grimm, a sour and contemptuous officer who takes out his frustration on anyone he feels he can get away with kicking,
another ex-noble, Lieutenant Tannor Hemut, a former prison warden who is also a scholar of dwarven and giantish lore,
and finally, Lieutenant Soren Fuhit, a seemingly useless officer, or maybe he's there to keep an eye on all of them for the Archduke...
I assigned the characters to each player to try and exploit their strengths, and their weaknesses, as players. When I wrote the characters up I decided to assign very specific Virtue-Vice combinations to further exploit their playing styles. I did a lot of prep work to make sure everything ran smoothly and nobody would feel too unhinged by the dramatic shift in the game session for the night.
Name tags for the "new" characters...
...and the easy-to-read character sheets and backgrounds
Half of the prep work is ironic to me, because in the end no matter what happens at the end of this scenario the rules are incidental and don't matter. The main villain can't really be 'hurt' - but the players could do plenty of damage to each other!
After a few minutes of reviewing their orders, and their character sheets, I asked if everybody was ready, and I turned off the lights, played sound effects of howling wind and rain for a full minute, then read the introduction.
"You have been assigned a special quest by Archduke Aeric Boeruine himself, and for the good of the nation of Boeruine. Your team has scaled the westernmost mountain of the Five Peaks for the purpose of exploiting a diamond mine. The mine is unknown to the neighboring countries of Talinie or Tuornen, and if the native goblins had any way of exploiting it they would have. It is imperative you not alert Talinie to your presence and retrieve as many diamonds as possible. The Archduke plans on using the wealth from these diamonds to further legitimize his succession to Emperor of Anuire.
Captain Hab Kors is the commander of this quest. He has been assigned four officers to assist him as well as twelve soldiers. As of this time one of the lieutenants, Faezil Klaran, and half of the soldiers under his command have fallen ill and are bed-ridden with a fever.
A nearby tribe of goblins has been providing slave labor for your quest."
The Captain was woken from his sleep by one of the soldiers reporting that at this late hour something had been uncovered in the mine. Being disgruntled at having been woken, he dismissed the soldier, but enough of a commotion was caused in camp that the other officers were roused and Sergeant Grimm commanded three of the men to follow him and ten goblins into the mine.
The two Lieutenants followed.
They found the passageway of the mine, fifty feet below ground, where a section of rock wall had crumbled away to reveal a small but ancient goblin altar before a set of giant doors embedded within the rock. A giant circular seal made of gold held the doors together. The Lieutenants spent a great deal of time examining the arcane symbols and scratch marks made along the surface of the seal, but could discern nothing of note.
The Captain arrived in the mine, still groggy and upset at having been woken, but suddenly pleased at the enormous golden seal that had been uncovered. "This is far more wealth, and far easier to carry out, than having to dig for diamonds!"
The goblins were commanded to chip away at the rock holding the seal in place, and as the officers debated how they would break the gold down and remove it from the mine, it slid and fell out of the doorway, crushing three of the goblins flat. All of them got a better look at the seal now that it was out of the doorway, and they saw it was at least eight inches thick. They surmised that if the door was solid gold, that it was worth more than all of the income in every country they had ever heard of across the land!
The soldier who woke the Captain was commanded to lead the way into the dooway, and the party soon discovered the remnants of an ancient temple. The Lieutenants and the Sergeant began experiencing visions while interacting with the relics, scrolls and other gold pieces found inside. Soon they were commanding the goblins to handle everything and put the relics into bags without directly touching the items themselves.
During this time, Lieutenant Tannor slips away, hoping to rouse the goblins back at camp into fighting and killing the other soldiers. When he arrives back at camp, there are too many soldiers milling about for him to do it discretely, and he witnesses an apparition. A man, dressed in tattered black robes and a crudely beaten copper crown, taunts him, telling him that he had better work fast and kill everyone if he will have any hope in stopping the spy in their camp.
Back at the cave, the goblins seem to begin suffering from their own visions and mania, they begin fighting each other and one of them bites Lieutenant Soren's hand, which had already been burned from some sort of black ooze found in the temple's main hall. Lt Soren and Sgt Grimm begin killing the remaining goblins, and the Captain begins hearing voices, as they all venture back toward camp, the Captain is convinced that Lt Tannor needs to be an example of for leaving them in the mine without asking for permission.
As they return to camp, Tannor has lit the Dwarven Fire in the supply tent and flaming balls of slime rain down on the remaining soldiers and goblins, all of them fighting in the wet mud. Tannor manages to kill the Captain with a crossbow, and Grimm runs to the kennel in the hopes of releasing the dogs. Soren works his way to the mess tent, only to see that all of the other soldiers are dead, and he witnesses another apparition, this time of a giant. Ten feet tall, eight eyes, spider mandibles working in it's mouth. It speaks to him "Would you like some help?" and he says "Yes, please!" A path is shown for him to slip away from camp during the chaos, and he takes it.
The fight between Sgt Grimm and Lt Tannor continued. Grimm let the dogs in the kennel loose, but they turned upon him viciously and he spent precious time dispatching them while Tannor shot several crossbow bolts at him. Still standing, but bleeding from the neck, Grimm took cover behind a tree and bandaged his wound, but Tannor quickly closed the distance between them and managed to stab him through his eye socket.
Soren witnessed all of this from his vantage point, and he thought he saw Tannor overwhelmed by goblins who had circled around the camp. But it was raining. The wind was hard. He was experiencing visions of alien and ancient creatures, in a land rich with magic and untouched by human hands. He couldn't be sure of what he saw that night, any of it.
And at this moment, the narrator of our story is revealed. Soren, who was a spy for Tuornen, whose real name was Arthur, and who was known to them now as Galen. He had heard of Hapex the Goblinslayer, and he wished to join their party. Perhaps in the hopes of returning to that dread place high up in the Five Peaks, and returning those goblin devils to the hell they had caused. Or perhaps simply of finding some peace for himself in the comfortable service to a man whose reputation for goblin killing preceded him in every town.
I quickly explained that Arthur/Soren/Galen's story was being told to all of them at breakfast in a private room at the Whispering Moose Inn, and allowed the players to take in everything they had experienced firsthand as part of this story. Almost immediately, the questions began to fly.
Who was the robed man? Do we know how many giants are in the Five Peaks? How long ago did this happen?
Arlen specifically said "We should go back there and get that gold!"
The most important information for Milo was that Galen referred to the apparition as the Cold Rider, and halfling folklore spoke of the Cold Rider as a malevolent and insidious entity that had driven the halflings from their homeland over a thousand years ago. He vehemently opposed stepping anywhere near that mountain!
Overall, the session was a lot of fun!
Vince remarked that it was a neat technique to have a story told by the players like that, because he would certainly remember it better than if I had just narrated the events from the voice of an NPC, at which point I had to reveal that I really didn't know how it would end. I needed at least one survivor to be able to relate the tale, which is why there's a sick Lieutenant back at camp, Faezil Klaran. To which everyone remarked "Oh yeah! What happened to him?" I shrugged.
Jake was upset that I "narrated" his Lieutenant into a dying situation, ambushed by goblins returning to camp, and I said "Well, Galen is not exactly the most trustworthy teller of tales. Who knows if any of it really happened." This only seemed to upset Jake more, "I know it happened!" I'm grinning again just thinking about it.
During the adventure Colin figured out how much the gold seal would have weighed - ten tons! And the relative wealth in the game world would be 50 million gold pieces.
Yeah.
That's right.
Who knows if any of it really did happen?
I have to give credit where credit is due.
This whole session never would have happened if it hadn't been for John Wick's brilliant writing for Digging for a Dead God. I decided to adapt the adventure to my campaign as best I could and I left some things out, I also only have four players - not six, and my game IS set in the Birthright campaign setting (think AD&D Dark Ages Highlander) using house-ruled New World of Darkness rules. Adapting a Call of Cthulhu adventure to that is a little bit of a struggle, but I think it worked pretty well and I managed to make it fit into my overall narrative.
Next week will be regular gaming, the PCs need to make their way back to Caine and find out what Bort's song lyrics mean, but I just know the prospect of that much gold is going to pull at Arlen and Rafeal, and the thought of the Cold Rider loose in Cerilia is going to haunt Milo.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Additional Notes:
The original adventure is set in 1930s Germany, with the players as Nazis and having access to dynamite (which I referred to as "Dwarven Fire") and machine guns (crossbows). The diamond mine is located in Africa and the "goblins" are actually native Africans. Each soldier and officer was decked out in armor and carried a sword, a dagger and a shield; but only the PCs knew how to use the 'Dwarven Fire' which I treated just like dynamite that turns into napalm when it explodes.
In the character background for Lt. Tannor Hemut I revealed that the secret of 'Dwarven Fire' had been tortured out of captive dwarves back in Boeruine, and the location of the temple had been revealed in these same dwarven interrogations.
The original adventure has six pre-written characters, so I took background elements from two characters and combined them to make Soren a spy with a bit more of a backstory, and the extra sixth character I simply thought of as Faezil, the sick Lieutenant who is absent throughout the scenario.
My players have never met anybody from the nation of Boeruine, and with this adventure I have begun to set them up as future villains for the campaign. The players actually did a good job of being ruthless bastards without realizing the Nazi connection as well.
As an additional note, the original adventure is about the Yellow Sign, a symbol of Hastur from the Cthulhu mythos. In the Birthright setting there are a few references to how halflings are not from Cerilia but originally lived in the Shadow Realm, and there are only ever two references in the campaign books to a terrifying being who drove them from the Shadow Realm called the Cold Rider.
The main entry in the Birthright rulebook only contains one paragraph and is written in very vague terms. It says the halflings fled from "a terrible danger" that common folk call the Cold Rider, and in other regions he is called the Night Walker or the Darkling. The paragraph ends with "the borders between the Shadow World and Cerilia have grown weaker in recent years, and strange things have been happening in the frontier lands..."
In earlier games I never gave the Cold Rider much thought, the references are too vague to make something substantial out of it, but my experiences playing Deadlands with Everett gave me a huge appreciation at adapting Cthulhu-esque monsters and situations to a game in order to make it more terrifying. In my mind the Cold Rider is very much an ancient, alien entity who would normally not pay attention to mortals, but has found that pain, especially the pain of the cold, gives him delicious morsels of psychic energy to feed off of. And like the Man in Black of the original scenario, simply knowing he exists gives him an opportunity to feast upon your pain.
In previous sessions the players ventured close to the Five Peaks, and they met a few insane people who were living around there. They didn't give it much thought at the time, but now I may have to hammer home that the Cold Rider is in those mountains, and anybody who goes there is subject to his will.
Finally, I always describe my world to my players as "the middle ages just before the Renaissance hits" and in discussions about the governments, religions and society in general I always remind them that "Renaissance" for a fantasy world means that magic hasn't become common yet, nobody can read and people are struggling just to maintain the status quo of survival. Magicians and wizards are looked at suspiciously. There is only one college of sorcery in all of the land and it's located in the Imperial City and is more of a political font than an actual place of study.
Nobody is really educated. Nobody really knows... anything. Instead of learning occult lore and arcane knowledge, characters have a Folklore skill, which can be unreliable at worst and vaguely helpful at the best of times.
In this time, knowledge is being increased, productivity is taking hold, the humans are spreading out, and wars are brewing. A perfect time for dropping the equivalent of an elder god who feeds on pain and extinguishes warmth into a collection of countries all rattling the lids of their boiling pots.
In the regular game, we left off with their characters spending the night at the Whispering Moose Inn, somewhere in the Imperial City. A few NPCs had been delivered to their destination, Milo had successfully bonded his new pony as a familiar, Arlen had begun looking for information about his "shards," and Hapex had met a rather conversational cleric named Galen.
But when the players first arrived I said
I handed out new character sheets, explaining that each of their characters were members of the Boeruine Army stationed at the westernmost mountain of the Five Peaks. Each of them was selected by the Archduke of Boeruine himself to be a part of this quest, and I handed out character backgrounds that explained who they were playing and what their motivations were.
The quest that Aeric Boeruine, Archduke of the nation of Boeruine, had selected them for was to exploit a diamond mine along a ridge of the Gorge, the westernmost mountain of the Five Peaks - a goblin-infested warren of forests, valleys and mountains.
The leader, Captain Hab Kors, was a man from a fallen noble lineage who had risen to a high position within the army quickly. His ambition to succeed would drive him to find as many diamonds as possible and bring them back for the Archduke and the good of the country. Assigned to help him were four additional officers:
his boyhood friend, Sergeant Gavin Grimm, a sour and contemptuous officer who takes out his frustration on anyone he feels he can get away with kicking,
another ex-noble, Lieutenant Tannor Hemut, a former prison warden who is also a scholar of dwarven and giantish lore,
and finally, Lieutenant Soren Fuhit, a seemingly useless officer, or maybe he's there to keep an eye on all of them for the Archduke...
I assigned the characters to each player to try and exploit their strengths, and their weaknesses, as players. When I wrote the characters up I decided to assign very specific Virtue-Vice combinations to further exploit their playing styles. I did a lot of prep work to make sure everything ran smoothly and nobody would feel too unhinged by the dramatic shift in the game session for the night.
Name tags for the "new" characters...
After a few minutes of reviewing their orders, and their character sheets, I asked if everybody was ready, and I turned off the lights, played sound effects of howling wind and rain for a full minute, then read the introduction.
"You have been assigned a special quest by Archduke Aeric Boeruine himself, and for the good of the nation of Boeruine. Your team has scaled the westernmost mountain of the Five Peaks for the purpose of exploiting a diamond mine. The mine is unknown to the neighboring countries of Talinie or Tuornen, and if the native goblins had any way of exploiting it they would have. It is imperative you not alert Talinie to your presence and retrieve as many diamonds as possible. The Archduke plans on using the wealth from these diamonds to further legitimize his succession to Emperor of Anuire.
Captain Hab Kors is the commander of this quest. He has been assigned four officers to assist him as well as twelve soldiers. As of this time one of the lieutenants, Faezil Klaran, and half of the soldiers under his command have fallen ill and are bed-ridden with a fever.
A nearby tribe of goblins has been providing slave labor for your quest."
The Captain was woken from his sleep by one of the soldiers reporting that at this late hour something had been uncovered in the mine. Being disgruntled at having been woken, he dismissed the soldier, but enough of a commotion was caused in camp that the other officers were roused and Sergeant Grimm commanded three of the men to follow him and ten goblins into the mine.
The two Lieutenants followed.
They found the passageway of the mine, fifty feet below ground, where a section of rock wall had crumbled away to reveal a small but ancient goblin altar before a set of giant doors embedded within the rock. A giant circular seal made of gold held the doors together. The Lieutenants spent a great deal of time examining the arcane symbols and scratch marks made along the surface of the seal, but could discern nothing of note.
The Captain arrived in the mine, still groggy and upset at having been woken, but suddenly pleased at the enormous golden seal that had been uncovered. "This is far more wealth, and far easier to carry out, than having to dig for diamonds!"
The goblins were commanded to chip away at the rock holding the seal in place, and as the officers debated how they would break the gold down and remove it from the mine, it slid and fell out of the doorway, crushing three of the goblins flat. All of them got a better look at the seal now that it was out of the doorway, and they saw it was at least eight inches thick. They surmised that if the door was solid gold, that it was worth more than all of the income in every country they had ever heard of across the land!
The soldier who woke the Captain was commanded to lead the way into the dooway, and the party soon discovered the remnants of an ancient temple. The Lieutenants and the Sergeant began experiencing visions while interacting with the relics, scrolls and other gold pieces found inside. Soon they were commanding the goblins to handle everything and put the relics into bags without directly touching the items themselves.
During this time, Lieutenant Tannor slips away, hoping to rouse the goblins back at camp into fighting and killing the other soldiers. When he arrives back at camp, there are too many soldiers milling about for him to do it discretely, and he witnesses an apparition. A man, dressed in tattered black robes and a crudely beaten copper crown, taunts him, telling him that he had better work fast and kill everyone if he will have any hope in stopping the spy in their camp.
Back at the cave, the goblins seem to begin suffering from their own visions and mania, they begin fighting each other and one of them bites Lieutenant Soren's hand, which had already been burned from some sort of black ooze found in the temple's main hall. Lt Soren and Sgt Grimm begin killing the remaining goblins, and the Captain begins hearing voices, as they all venture back toward camp, the Captain is convinced that Lt Tannor needs to be an example of for leaving them in the mine without asking for permission.
As they return to camp, Tannor has lit the Dwarven Fire in the supply tent and flaming balls of slime rain down on the remaining soldiers and goblins, all of them fighting in the wet mud. Tannor manages to kill the Captain with a crossbow, and Grimm runs to the kennel in the hopes of releasing the dogs. Soren works his way to the mess tent, only to see that all of the other soldiers are dead, and he witnesses another apparition, this time of a giant. Ten feet tall, eight eyes, spider mandibles working in it's mouth. It speaks to him "Would you like some help?" and he says "Yes, please!" A path is shown for him to slip away from camp during the chaos, and he takes it.
The fight between Sgt Grimm and Lt Tannor continued. Grimm let the dogs in the kennel loose, but they turned upon him viciously and he spent precious time dispatching them while Tannor shot several crossbow bolts at him. Still standing, but bleeding from the neck, Grimm took cover behind a tree and bandaged his wound, but Tannor quickly closed the distance between them and managed to stab him through his eye socket.
Soren witnessed all of this from his vantage point, and he thought he saw Tannor overwhelmed by goblins who had circled around the camp. But it was raining. The wind was hard. He was experiencing visions of alien and ancient creatures, in a land rich with magic and untouched by human hands. He couldn't be sure of what he saw that night, any of it.
And at this moment, the narrator of our story is revealed. Soren, who was a spy for Tuornen, whose real name was Arthur, and who was known to them now as Galen. He had heard of Hapex the Goblinslayer, and he wished to join their party. Perhaps in the hopes of returning to that dread place high up in the Five Peaks, and returning those goblin devils to the hell they had caused. Or perhaps simply of finding some peace for himself in the comfortable service to a man whose reputation for goblin killing preceded him in every town.
I quickly explained that Arthur/Soren/Galen's story was being told to all of them at breakfast in a private room at the Whispering Moose Inn, and allowed the players to take in everything they had experienced firsthand as part of this story. Almost immediately, the questions began to fly.
Who was the robed man? Do we know how many giants are in the Five Peaks? How long ago did this happen?
Arlen specifically said "We should go back there and get that gold!"
The most important information for Milo was that Galen referred to the apparition as the Cold Rider, and halfling folklore spoke of the Cold Rider as a malevolent and insidious entity that had driven the halflings from their homeland over a thousand years ago. He vehemently opposed stepping anywhere near that mountain!
Overall, the session was a lot of fun!
Vince remarked that it was a neat technique to have a story told by the players like that, because he would certainly remember it better than if I had just narrated the events from the voice of an NPC, at which point I had to reveal that I really didn't know how it would end. I needed at least one survivor to be able to relate the tale, which is why there's a sick Lieutenant back at camp, Faezil Klaran. To which everyone remarked "Oh yeah! What happened to him?" I shrugged.
Jake was upset that I "narrated" his Lieutenant into a dying situation, ambushed by goblins returning to camp, and I said "Well, Galen is not exactly the most trustworthy teller of tales. Who knows if any of it really happened." This only seemed to upset Jake more, "I know it happened!" I'm grinning again just thinking about it.
During the adventure Colin figured out how much the gold seal would have weighed - ten tons! And the relative wealth in the game world would be 50 million gold pieces.
Yeah.
That's right.
Who knows if any of it really did happen?
I have to give credit where credit is due.
This whole session never would have happened if it hadn't been for John Wick's brilliant writing for Digging for a Dead God. I decided to adapt the adventure to my campaign as best I could and I left some things out, I also only have four players - not six, and my game IS set in the Birthright campaign setting (think AD&D Dark Ages Highlander) using house-ruled New World of Darkness rules. Adapting a Call of Cthulhu adventure to that is a little bit of a struggle, but I think it worked pretty well and I managed to make it fit into my overall narrative.
Next week will be regular gaming, the PCs need to make their way back to Caine and find out what Bort's song lyrics mean, but I just know the prospect of that much gold is going to pull at Arlen and Rafeal, and the thought of the Cold Rider loose in Cerilia is going to haunt Milo.
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Additional Notes:
The original adventure is set in 1930s Germany, with the players as Nazis and having access to dynamite (which I referred to as "Dwarven Fire") and machine guns (crossbows). The diamond mine is located in Africa and the "goblins" are actually native Africans. Each soldier and officer was decked out in armor and carried a sword, a dagger and a shield; but only the PCs knew how to use the 'Dwarven Fire' which I treated just like dynamite that turns into napalm when it explodes.
In the character background for Lt. Tannor Hemut I revealed that the secret of 'Dwarven Fire' had been tortured out of captive dwarves back in Boeruine, and the location of the temple had been revealed in these same dwarven interrogations.
The original adventure has six pre-written characters, so I took background elements from two characters and combined them to make Soren a spy with a bit more of a backstory, and the extra sixth character I simply thought of as Faezil, the sick Lieutenant who is absent throughout the scenario.
My players have never met anybody from the nation of Boeruine, and with this adventure I have begun to set them up as future villains for the campaign. The players actually did a good job of being ruthless bastards without realizing the Nazi connection as well.
As an additional note, the original adventure is about the Yellow Sign, a symbol of Hastur from the Cthulhu mythos. In the Birthright setting there are a few references to how halflings are not from Cerilia but originally lived in the Shadow Realm, and there are only ever two references in the campaign books to a terrifying being who drove them from the Shadow Realm called the Cold Rider.
The main entry in the Birthright rulebook only contains one paragraph and is written in very vague terms. It says the halflings fled from "a terrible danger" that common folk call the Cold Rider, and in other regions he is called the Night Walker or the Darkling. The paragraph ends with "the borders between the Shadow World and Cerilia have grown weaker in recent years, and strange things have been happening in the frontier lands..."
In earlier games I never gave the Cold Rider much thought, the references are too vague to make something substantial out of it, but my experiences playing Deadlands with Everett gave me a huge appreciation at adapting Cthulhu-esque monsters and situations to a game in order to make it more terrifying. In my mind the Cold Rider is very much an ancient, alien entity who would normally not pay attention to mortals, but has found that pain, especially the pain of the cold, gives him delicious morsels of psychic energy to feed off of. And like the Man in Black of the original scenario, simply knowing he exists gives him an opportunity to feast upon your pain.
In previous sessions the players ventured close to the Five Peaks, and they met a few insane people who were living around there. They didn't give it much thought at the time, but now I may have to hammer home that the Cold Rider is in those mountains, and anybody who goes there is subject to his will.
Finally, I always describe my world to my players as "the middle ages just before the Renaissance hits" and in discussions about the governments, religions and society in general I always remind them that "Renaissance" for a fantasy world means that magic hasn't become common yet, nobody can read and people are struggling just to maintain the status quo of survival. Magicians and wizards are looked at suspiciously. There is only one college of sorcery in all of the land and it's located in the Imperial City and is more of a political font than an actual place of study.
Nobody is really educated. Nobody really knows... anything. Instead of learning occult lore and arcane knowledge, characters have a Folklore skill, which can be unreliable at worst and vaguely helpful at the best of times.
In this time, knowledge is being increased, productivity is taking hold, the humans are spreading out, and wars are brewing. A perfect time for dropping the equivalent of an elder god who feeds on pain and extinguishes warmth into a collection of countries all rattling the lids of their boiling pots.
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